Wulan Dirgantoro is a Lecturer in Art History and Curatorship at the School of Culture and Communication at the University of Melbourne. Her research interests are gender and feminism, and trauma and memory in Southeast Asian modern and contemporary art, with a special focus on Indonesia and Timor-Leste.

Her publications including Feminisms and Indonesian Contemporary Art: Defining Experiences (Amsterdam University Press, 2017) and ‘Aesthetics of Silence: Exploring Trauma in Indonesian Painting 1970-1980’ in Ambitious Alignment: New Histories of Southeast Asian Art (Power Publication and the National Gallery of Singapore, 2018). She has also contributed to various art publications in Asia, Australia and UK on Indonesian and Southeast Asian modern and contemporary art. Prior to her current role she was a McKenzie Postdoctoral Fellow (2018-2021), a lecturer at the MA Asian Art Histories program at LASALLE College of the Arts, Singapore (2014-2016) and research fellow of Art Histories and Aesthetic Practices 2016/2017 program, at the Forum Transregionale Studien, Berlin.